PANASONIC IRON STEAM W/ TITANIUM CURVD SOLEPLATPrice: $29.99
Jumat, 18 November 2011
Gillette Clinical Strength Advanced Solid Anti-Perspirant, 1.7-Ounces Bottles (Pack of 2)
Like moths to a flame, great actors gravitate to the singular genius of playwright-screenwriter David Mamet, who updated his Pulitzer Prize-winning play for this all-star screen adaptation. The material is not inherently cinematic, so the movie's greatest asset is Mamet's peerless dialogue and the assembly of a once-in-a-lifetime cast led by Al Pacino, Jack Lemmon, and Alec Baldwin (the last in a role Mamet created especially for the film). Often regarded as a critique of the Reagan administration's impact on the American economy, the play and film focus on a competitive group of real estate salesmen who've gone from feast to famine in a market gone cold. When an executive "motivator" (Alec Baldwin) demands a sales contest among the agents in the cramped office, the stakes are critically high: any agent who fails to meet his quota of sales "leads" (i.e., potential buyers) will lose his job. This intense ultimatum is a boon for the office superstar (Pacino), but a once-successful salesman (Lemmon) now finds himself clinging nervously to faded glory. Political and personal rivalries erupt under pressure when the other agents (Alan Arkin, Ed Harris) suspect the office manager (Kevin Spacey) of foul play. This cauldron of anxiety, tension, and sheer desperation provides fertile soil for Mamet's scathingly rich dialogue, which is like rocket fuel for some of the greatest actors of our time. Pacino won an Oscar nomination for his volatile performance, but it's Lemmon who's the standout, doing some of the best work of his distinguished career. Director James Foley shapes Mamet's play into a stylish, intensely focused film that will stand for decades as a testament to its brilliant writer and cast. --Jeff Shannon
Price:
Kamis, 17 November 2011
Randy Savage:Missing Matches [VHS]
![Randy Savage:Missing Matches [VHS]](/512o41rtzLSL500.jpg)
Matches include:Macho Man & Randy Lawler in the Championship Cage Match
Macho Man & Larry Poffo vs. Rock 'n Roll Express
Fabulous Blondes vs. PYT Express
Price: $9.99
SteamFast Fabric SteamerRabu, 16 November 2011
The Rolling Stones: Gimme Shelter (The Criterion Collection)
To cite Gimme Shelter as the greatest rock documentary ever filmed is to damn it with faint praise. This 1970 release benefits from a horrifying serendipity in the timing of the shoot, which brought filmmakers Albert and David Maysles and Charlotte Zwerin aboard as the Rolling Stones' tumultuous 1969 American tour neared its end. By following the band to the Altamont Speedway near San Francisco for a fatally mismanaged free concert, the Maysles and Zwerin wound up shooting what's been accurately dubbed rock's equivalent to the Zapruder film. The cameras caught the ominous undercurrents of violence palpable even before the first chords were strummed, and were still rolling when a concertgoer was stabbed to death by the Hell's Angels that served as the festival's pool cue-wielding security force.By the time Gimme Shelter reached theater screens, Altamont was a fixed symbol for the death of the 1960s' spirit of optimism. The Maysles and Zwerin used that knowledge to shape their film: their chronicle begins in the editing room as they cut footage of the Stones' Madison Square Garden performance of "Jumpin' Jack Flash," and from there moves toward Altamont with a kind of dreadful grace. The songs become prophecies and laments for broken faith ("Wild Horses"), misplaced devotion ("Love in Vain"), and social collapse ("Street Fighting Man" and, of course, "Sympathy for the Devil"). Along the way, we glimpse the folly of the machinations behind the festival, the insularity of life on the concert trail, and the superstars' own shell-shocked loss of innocence.
Gimme Shelter looks into an abyss, partly self-created, from which the Rolling Stones would retreat--but unlike its subject, the filmmakers don't blink. --Sam Sutherland
Price: $24.95
SofaSports Guide to Rugby - Understand the Rules, Appreciate the Skills
Matches include:Macho Man & Randy Lawler in the Championship Cage Match
Macho Man & Larry Poffo vs. Rock 'n Roll Express
Fabulous Blondes vs. PYT Express
Price:
Selasa, 15 November 2011
Saturday Night Live - The Best of Tim Meadows [VHS]
![Saturday Night Live - The Best of Tim Meadows [VHS]](/51XJWRA1FELSL500.jpg)
To cite Gimme Shelter as the greatest rock documentary ever filmed is to damn it with faint praise. This 1970 release benefits from a horrifying serendipity in the timing of the shoot, which brought filmmakers Albert and David Maysles and Charlotte Zwerin aboard as the Rolling Stones' tumultuous 1969 American tour neared its end. By following the band to the Altamont Speedway near San Francisco for a fatally mismanaged free concert, the Maysles and Zwerin wound up shooting what's been accurately dubbed rock's equivalent to the Zapruder film. The cameras caught the ominous undercurrents of violence palpable even before the first chords were strummed, and were still rolling when a concertgoer was stabbed to death by the Hell's Angels that served as the festival's pool cue-wielding security force.By the time Gimme Shelter reached theater screens, Altamont was a fixed symbol for the death of the 1960s' spirit of optimism. The Maysles and Zwerin used that knowledge to shape their film: their chronicle begins in the editing room as they cut footage of the Stones' Madison Square Garden performance of "Jumpin' Jack Flash," and from there moves toward Altamont with a kind of dreadful grace. The songs become prophecies and laments for broken faith ("Wild Horses"), misplaced devotion ("Love in Vain"), and social collapse ("Street Fighting Man" and, of course, "Sympathy for the Devil"). Along the way, we glimpse the folly of the machinations behind the festival, the insularity of life on the concert trail, and the superstars' own shell-shocked loss of innocence.
Gimme Shelter looks into an abyss, partly self-created, from which the Rolling Stones would retreat--but unlike its subject, the filmmakers don't blink. --Sam Sutherland
Price: $14.99
How I Met Your Mother: Season Five
How I Met Your Mother excels in tossed-off bits of genius, from a saccharine book-on-tape read by Kenny Rogers to "But, uhm" to bagpipes to harmonizing with Will Shortz and Peter Bogdanovich. These little gems of comic absurdity perfectly complement the sitcom's other great strength, which is clever, twisty storytelling--plots that fold back into themselves, unfold in flashbacks, or cross-reference previous episodes. This narrative inventiveness is hardly surprising, given that the premise of the entire series is that it's being told by the future central character, Ted Mosby, to his two children, gradually revealing how he came to marry their mother. By the fifth season, this premise is growing a little bit threadbare (particularly after some of the red herrings of the past two seasons), yet the show continues to hold abundant pleasures. The cast--Josh Radnor, Cobie Smulders, Alyson Hannigan, Jason Segel, and Neil Patrick Harris--have an effortless lock on their characters, allowing them to pull off some perilously goofy bits that, in less confident hands, could have foundered (a musical homage to wearing suits, for example). The writing is crisp and driven; this half-hour sitcom crams in more plot turns than your average hour-long drama. The fifth season is not good to start with--the humor is much, much stronger if you've grown to love these characters over the previous four seasons--but for everyone who's been following Ted, Robin, Marshall, Lily, and Barney, it's essential viewing. Some surprising moments of melancholy are completely earned and stand out from the typical sitcom overreaching for "significance"; these moments are successfully rooted in the characters, who become more real every seasonâ?¦ yes, even Barney. --Bret Fetzer
Price: $39.98
Senin, 14 November 2011
The Three Stooges Collection, Vol. 1: 1934-1936
Finally, the studio knuckleheads got it right! The way that the Three Stooges have been presented on home video has been a real slap in the face and a poke in the eye to fans. The Stooges have been anthologized, colorized, and public domained. Their shorts have been released and re-released in varying degrees of quality. In the immortal words of Curly, they have truly been victims of circumstance. This two-DVD set, then, is for what Stooge-philes have long been waiting. Spanning the years 1934-36, it presents the first 19 Stooges short subjects chronologically. These shorts hail from the Curly era, which makes them essential. The first, "Women Haters," comes billed as a "musical novelty" and is performed entirely in rhyme. More interesting is that Moe, Larry, and Curly appear as Tom, Jim, and Jack. In the second short, "Punch Drunks," they are again not quite a team, but teaming up to make a boxer out of put-upon waiter Curly. This is the one in which Curly "pops" when he hears "that 'Weasel' tune." And the hits just keep on coming. Remember the prologue of The Twilight Zone: The Movie, in which traveling companions Dan Aykroyd and Albert Brooks trade favorite "Zones"? Many of the shorts gathered here are the ones most quoted or referenced by Stooges fans, such as "Men in Black," the only Stooges short to be nominated for an Academy Award, and the one with the immortal page "Calling Dr. Howard, Dr Fine, Dr. Howard." "Hoi Polloi" is the first Stooges short to tackle the "environment" vs. "heredity" conundrum by introducing the Stooges to high society, reducing the well-heeled stuff shirts into a slap-happy mob. "Pop Goes the Easel" introduces another recurring theme in the Stooges oeuvre as the boys pose as artists in the art school in which they take refuge from a pursuing cop. This short contains a signature Curlyism, "Look at the grouse," as does "Horses' Collars," in which the mere sight of a mouse completely unnerves Curly ("Moe! Larry! The Cheese!) "Three Little Pigskins" is another mistaken identity gem, as the boys pose as three football players (look for a very young and very blonde Lucille Ball). Like the Little Rascals, the Stooges in these shorts were very much of their Depression-era times, but "Uncivil Warriors," "Restless Knights," and the decidedly un-PC "Whoops, I'm an Indian" get their anachronistic kicks by placing the boys behind enemy lines during the Civil War, in the medieval castle of a kidnapped Queen, and in the Old West. Collectors who have suffered through, say, "Disorder in the Court" on one of those $1 bin Stooges collections will be heartened to know that this set at last does these comedy classics justice. More than 70 years old, and they look better than ever! So spread out and get your n'yucks on! --Donald Liebenson
Price: $24.96
CornerStone - Value Fleece Vest with Reflective Taping. CS179
This durable vest combines fluorescent visibility with reliable warmth. Meets ANSI Class 2 standards. | 13.5-ounce, 100% spun polyester Two vertical and one horizontal 2-in.wide reflective taping on front and back Lycra-trimmed armholes and waistband Front zippered pocketsPrice:
Minggu, 13 November 2011
Dickies VW303 Class 3 - Ansi Fleece Hooded Jacket
ANSI 107-2004 Class 3 Certified. Thermal knit lining. 3M Scotchlite Reflective Material -8910 Silver Transfer Film. Three piece drawstring hood. Ribbed knit cuffs and bottom. Size small has three stripes on sleeves.Price:
ULTRA-SLIM VELVET SUIT HANGERS - SET OF 10- BLACK
These stylish suit hangers are great for any closet in your home. Now you can save space and keep clothes in place with the same great hanger.Price: $19.99
Sabtu, 12 November 2011
Beggars Banquet
Opening with "Sympathy for the Devil," the Stones' infamous we-are-evil poem, this all-original 1968 album began a quality streak almost unmatched in rock & roll. Mick Jagger begins writing from the working-class hero's perspective--especially on the anthem "Street Fighting Man" and "Salt of the Earth"--and Keith Richards buttresses his partner with rock-solid slide licks recently graduated from the School of Old Blues Records. "Jig-Saw Puzzle," which inexplicably never became a hit, is the only known instance of Jagger's describing the Stones' individual personalities in verse. --Steve KnopperPrice: $18.98
Let It Bleed
One of the Stones' most beloved albums, 1969's Let It Bleed was a benchmark for several reasons. First, founding guitarist Brian Jones died during the recording process. Second, the Stones take their last significant look at pure blues (Robert Johnson's spooky "Love in Vain") and country ("Country Honk," the two-stepping alter ego of "Honky-Tonk Women") before folding both styles into a cohesive rock & roll vision. Third, it contains some of the band's most eerie hits, such as the flame-enveloped "Gimme Shelter," the drug-reality anthem "Monkey Man," the epic "You Can't Always Get What You Want," and Mick Jagger's menacing "Midnight Rambler." --Steve KnopperPrice: $18.98
Kamis, 10 November 2011
Glengarry Glen Ross
Like moths to a flame, great actors gravitate to the singular genius of playwright-screenwriter David Mamet, who updated his Pulitzer Prize-winning play for this all-star screen adaptation. The material is not inherently cinematic, so the movie's greatest asset is Mamet's peerless dialogue and the assembly of a once-in-a-lifetime cast led by Al Pacino, Jack Lemmon, and Alec Baldwin (the last in a role Mamet created especially for the film). Often regarded as a critique of the Reagan administration's impact on the American economy, the play and film focus on a competitive group of real estate salesmen who've gone from feast to famine in a market gone cold. When an executive "motivator" (Alec Baldwin) demands a sales contest among the agents in the cramped office, the stakes are critically high: any agent who fails to meet his quota of sales "leads" (i.e., potential buyers) will lose his job. This intense ultimatum is a boon for the office superstar (Pacino), but a once-successful salesman (Lemmon) now finds himself clinging nervously to faded glory. Political and personal rivalries erupt under pressure when the other agents (Alan Arkin, Ed Harris) suspect the office manager (Kevin Spacey) of foul play. This cauldron of anxiety, tension, and sheer desperation provides fertile soil for Mamet's scathingly rich dialogue, which is like rocket fuel for some of the greatest actors of our time. Pacino won an Oscar nomination for his volatile performance, but it's Lemmon who's the standout, doing some of the best work of his distinguished career. Director James Foley shapes Mamet's play into a stylish, intensely focused film that will stand for decades as a testament to its brilliant writer and cast. --Jeff ShannonPrice: $14.98
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